In the same way that BMW will probably always have a big executive saloon car range called ‘5’, Monitor Audio will probably always have an aspirational loudspeaker range called ‘Gold’. The latest is the fifth incarnation of the series.
Dec 29, 2015 I have a pair of Monitor Audio Gold 200 speakers in a room 6.7m x 4m (room layout attached), working across the width of the room, a difficult drive situation. Currently driven by a Marantz SR6009 AVR, they are lacking sparkle. I'm looking at which stereo amp I might use instead of the AVR. I have heard, and liked, the Golds on a Roksan Kandy K3. 25 Instruction Manuals and User Guides for Monitor Audio online. Read online or download owner's manuals and user guides for Monitor Audio. Manuals Directory ManualsDir.com - online owner manuals library. GOLD GXC 350. User Manual, 9 pages. User Manual, 9 pages. GOLD GXC 150. Audio manuals and audio service pdf instructions. Find the user manual you need for your audio device and more at ManualsOnline.
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- Gx200 Years Active 2010-2015 The first of the GX floorstanders is also the most compact. 3-Way, comprising the GX high frequency ribbon transducer and twin 5 1/2” bass drivers below a 4” midrange driver housed in a dedicated enclosure.
- Jan 07, 2016 I'm new to this level of kit. I have Monitor Audio Gold 200 floorstanders, and am driving them with a Marantz SR6009 AVR. But the beautiful Golds are not coming to life, and I suspect the SR6009 is not a good match, especially in my big, acoustically soft lounge.
Staying with the BMW analogy, the Gold 200 is the loudspeaker equivalent of a 520d with leather interior. In both cases, it’s the model that marks the owner out as both discerning and fiscally level-headed.
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The Gold 200 is a three-way design, with an MPD (‘micro pleated diaphragm’) high frequency transducer positioned above a 6.3cm C-CAM (‘ceramic-coated aluminium/magnesium’) midrange driver – these two share a single housing. Beneath them there’s a pair of 16.5cm RDT II (‘rigid diaphragm technology, generation 2’) long-throw bass drivers.
Monitor Audio favours the MPD transducer over the more common dome tweeter because of its far greater surface area which, it says, delivers smoother and faster high frequency response all the way to 100kHz. C-CAM is given the nod thanks to its resistance to bending stresses and, consequently, its consistency and efficiency – plus, of course, Monitor Audio has been aboard its ‘metal drivers for the win’ hobby-horse for some years now. And RDT II combines C-CAM as a front skin with carbon-fibre as a rear, sandwiching a Nomex honeycomb core – the result combines the sort of lightness and rigidity that’s essential to pistonic efficiency and is, says Monitor Audio, the lowest-distortion cone in its history.
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That’s a strong start on the ‘racy-sounding abbreviations’ count, but there’s more where those came from. The two bass drivers feature Monitor Audio’s patented DCF (‘dynamic coupling filter’) technology, wherein the more usual rigid coupling between driver and voice coil is replaced by a pliant alternative. In this instance it’s a nylon ring, calibrated to be rigid up to the crossover frequency and springy above it (to dampen surplus higher-frequency energy), and vented to aid cooling and air-pressure dissipation.
Monitor Audio Gold 200 User Manual Software
The crossover points are 650Hz and 3.5kHz respectively, which are well chosen as they are far away from the all-important midrange territory where listeners are especially sensitive.